1
00:00:10,120 --> 00:00:11,120
Hi, Grandpa.

2
00:01:59,950 --> 00:02:00,950
What are you doing there?

3
00:02:02,010 --> 00:02:04,010
Why are you dancing in front of the TV?

4
00:02:04,410 --> 00:02:06,250
You know the show, Show Go?

5
00:02:07,070 --> 00:02:08,370
Do I know it?

6
00:02:08,949 --> 00:02:11,990
It's one of my all -time favorite films.

7
00:02:12,390 --> 00:02:13,390
Oh.

8
00:02:13,710 --> 00:02:19,390
Well, now my colleagues, they're trying
to play on it, and I want to get the

9
00:02:19,390 --> 00:02:22,230
main role, but I'm trying to practice.

10
00:02:24,290 --> 00:02:25,290
Okay.

11
00:02:25,790 --> 00:02:31,890
You know, I may be your grandfather, but
you do remember I would want a

12
00:02:31,890 --> 00:02:38,330
director. I'm retired now, but if you
like, I could

13
00:02:38,330 --> 00:02:39,970
give you a few pointers.

14
00:02:40,810 --> 00:02:46,430
Well, that would really help because
you're my step -grandfather, but I

15
00:02:46,430 --> 00:02:49,730
want to have all your dreams for theater
and all of that.

16
00:02:50,210 --> 00:02:52,830
Okay, well, I can help you. You're fine.
Come on.

17
00:02:53,310 --> 00:02:55,650
You are way too...

18
00:02:57,360 --> 00:02:59,320
One of the things you've got to do is
relax.

19
00:02:59,940 --> 00:03:04,080
And you've got to be like the character.
See, this character is very confident

20
00:03:04,080 --> 00:03:06,200
in everything that she does.

21
00:03:06,580 --> 00:03:07,580
Okay. Okay?

22
00:03:08,300 --> 00:03:09,800
I've got an idea.

23
00:03:10,560 --> 00:03:17,340
How about we recreate a scene out of the
movie? And that

24
00:03:17,340 --> 00:03:24,200
way I can see how well you do and if
there's any pointers that

25
00:03:24,200 --> 00:03:25,200
I can give you.

26
00:03:25,220 --> 00:03:26,420
What do you think about that?

27
00:03:27,400 --> 00:03:30,040
Yeah, I guess that's going to help me, I
guess.

28
00:03:30,440 --> 00:03:36,500
Well, there's this one scene where she
was confronted with an opportunity, and

29
00:03:36,500 --> 00:03:41,480
she had to make a decision on what she
would do to

30
00:03:41,480 --> 00:03:47,340
better her chances in the role that
she's looking for.

31
00:03:48,400 --> 00:03:53,280
Maybe you can recreate that for us.

32
00:03:53,780 --> 00:03:55,560
Well, it's not going to be weird.

33
00:03:56,270 --> 00:03:59,930
No, no, no. It's just acting. We're
playing a part.

34
00:04:00,150 --> 00:04:02,810
You just do what she would do.

35
00:04:04,130 --> 00:04:06,710
Okay. I guess I'm not going to help.

36
00:04:07,610 --> 00:04:08,930
Just feel the part.

37
00:04:10,070 --> 00:04:11,210
Just get into it.

38
00:04:35,020 --> 00:04:40,640
Okay. You're still just a little tense.
You need to relax. Just kind of let

39
00:04:40,640 --> 00:04:41,640
yourself go.

40
00:04:41,680 --> 00:04:43,120
Just be the character.

41
00:04:43,820 --> 00:04:44,900
You want it.

42
00:04:45,180 --> 00:04:46,820
Okay. Yeah.

43
00:05:04,460 --> 00:05:07,980
And every once in a while you have to
look up to see if you got the approval

44
00:05:07,980 --> 00:05:08,980
him.

45
00:05:18,520 --> 00:05:20,500
Is that okay, Abuelo?

46
00:05:21,480 --> 00:05:25,960
No, no, no, you're doing good. You're
doing very good. But, I mean, you

47
00:05:26,060 --> 00:05:31,220
really want the part, so you really,
really have to put a lot into it.

48
00:05:34,990 --> 00:05:38,210
You have to sell that you want this.

49
00:05:38,410 --> 00:05:40,250
That you're better than all the others.

50
00:05:40,550 --> 00:05:42,430
Okay. Okay? Got it.

51
00:06:03,400 --> 00:06:07,200
And anytime you want to throw a little
something in there, you know, you know,

52
00:06:07,200 --> 00:06:11,500
oh, how big you are and all like that,
you know, just kind of.

53
00:06:13,360 --> 00:06:14,360
Oh, yeah.

54
00:06:15,220 --> 00:06:16,580
You'd be a little verbal, too.

55
00:06:16,860 --> 00:06:17,860
Oh,

56
00:06:19,020 --> 00:06:20,020
you're so big.

57
00:06:21,260 --> 00:06:22,260
Yes, yes.

58
00:06:23,980 --> 00:06:26,400
The audience loves hearing stuff like
that.

59
00:06:44,000 --> 00:06:45,580
You're pretty good at this.

60
00:07:03,000 --> 00:07:09,000
I'm just going to...

61
00:07:10,680 --> 00:07:11,680
There you go.

62
00:07:14,400 --> 00:07:15,800
I'm just setting the stage here.

63
00:07:16,620 --> 00:07:17,620
Okay. Okay?

64
00:07:17,860 --> 00:07:18,860
Yeah.

65
00:07:19,680 --> 00:07:21,400
Because she would do the same thing.

66
00:07:22,040 --> 00:07:23,040
Oh.

67
00:07:46,590 --> 00:07:51,090
And here's where he would probably say
something like, you're pretty good at

68
00:07:51,090 --> 00:07:54,110
that. Oh, you or?

69
00:07:54,470 --> 00:07:59,870
No, the other performer would say, being
in character, that you're pretty good

70
00:07:59,870 --> 00:08:00,629
at that.

71
00:08:00,630 --> 00:08:02,130
Oh, okay. And then you would reply.

72
00:08:02,970 --> 00:08:04,270
Oh, thank you.

73
00:08:05,150 --> 00:08:06,150
You too.

74
00:08:25,960 --> 00:08:26,960
I think you're getting it.

75
00:08:27,280 --> 00:08:29,400
Yeah. You're doing good.

76
00:08:39,799 --> 00:08:42,179
Very nice.

77
00:08:43,020 --> 00:08:44,380
Very, very nice.

78
00:08:50,140 --> 00:08:54,440
Since I know the character a little bit,
he's kind of... he's a little more

79
00:08:54,440 --> 00:09:00,480
handy so probably he'd be doing stuff
like this just kind of raising and

80
00:09:00,480 --> 00:09:05,680
and touching you and you don't mind
right

81
00:09:42,540 --> 00:09:45,160
That lip right there, just doing the
tongue on the tip.

82
00:09:49,420 --> 00:09:52,920
And this time, do it and stare up at
him.

83
00:09:53,500 --> 00:09:54,500
Yeah.

84
00:09:57,600 --> 00:09:58,600
Yeah,

85
00:10:00,220 --> 00:10:02,840
these are all little tips that you need.

86
00:10:17,160 --> 00:10:18,160
Are you feeling it?

87
00:10:18,340 --> 00:10:20,640
Are you feeling the character right now?

88
00:10:20,840 --> 00:10:22,180
Yeah, I think I'm feeling it.

89
00:10:22,500 --> 00:10:23,500
Okay. Yes.

90
00:10:23,580 --> 00:10:24,580
Thank you, Grandpa.

91
00:10:25,020 --> 00:10:30,220
Oh, no problem. Well, we're not quite
done yet. You have to bring it to a

92
00:10:30,220 --> 00:10:31,220
now.

93
00:10:32,580 --> 00:10:34,640
Every scene has to have that moment.

94
00:10:41,320 --> 00:10:42,640
All right.

95
00:10:43,620 --> 00:10:45,700
That's it. We're going to build it up.
We're going to build it up. up to that

96
00:10:45,700 --> 00:10:49,280
climax. We're just going to just like

97
00:10:49,280 --> 00:10:55,100
struggling in your mouth, struggling in
your mouth.

98
00:11:18,990 --> 00:11:19,990
Just lay your tongue around.

99
00:11:20,390 --> 00:11:21,349
There you go.

100
00:11:21,350 --> 00:11:22,890
Get the last little drop.

101
00:11:26,270 --> 00:11:32,130
Now this is where you look up at him and
say,

102
00:11:32,310 --> 00:11:34,230
How did I do?

103
00:11:35,610 --> 00:11:42,010
How did I do? You did real well, but...
I have a few more

104
00:11:42,010 --> 00:11:45,910
girls that I have to interview, so
I'll...

105
00:11:56,750 --> 00:11:58,450
Hey, honey, I'm going to get some
Italian.

106
00:11:58,670 --> 00:12:00,110
Would you like a casserole?

107
00:12:00,670 --> 00:12:03,030
Can you come in, Grandpa?

108
00:12:04,670 --> 00:12:05,670
Okay.

109
00:12:05,890 --> 00:12:08,090
Wait, did you get the part?

110
00:12:13,050 --> 00:12:14,050
Did you?

111
00:12:14,630 --> 00:12:19,530
Well, there is, like, another girl in
the waiting list for that.

112
00:12:19,890 --> 00:12:20,890
That good?

113
00:12:20,910 --> 00:12:23,130
Yeah, um, but...

114
00:12:23,690 --> 00:12:28,250
I mean, I did my best, but I didn't show
her, so I'm not sure how she did.

115
00:12:29,230 --> 00:12:31,810
But I'm pretty confident about it.

116
00:12:32,790 --> 00:12:34,230
Being confident, that's good.

117
00:12:34,810 --> 00:12:36,690
So tell me a little bit about the
character.

118
00:12:37,850 --> 00:12:40,350
Well, it was a really dramatic scene.

119
00:12:40,750 --> 00:12:47,330
I did my best. It was dramatic and with
a lot of feelings in it.

120
00:12:47,650 --> 00:12:50,790
I even cried, but I don't know.

121
00:12:51,280 --> 00:12:52,099
Crying's good.

122
00:12:52,100 --> 00:12:56,420
Crying's one of the hardest things to do
as an actor. So that's good.

123
00:12:56,680 --> 00:12:57,680
Okay.

124
00:12:58,160 --> 00:13:04,280
Is there anything I can do to help you?
Do you want to work on some lines or

125
00:13:04,280 --> 00:13:05,280
something like that?

126
00:13:05,440 --> 00:13:11,100
Well, I'm thinking that it's going to be
really weird because it was a boyfriend

127
00:13:11,100 --> 00:13:14,000
and girlfriend thing, so that's going to
be weird.

128
00:13:14,240 --> 00:13:17,160
Okay, listen. It's all acting, okay?

129
00:13:17,580 --> 00:13:18,740
So, look.

130
00:13:19,380 --> 00:13:20,380
I will...

131
00:13:20,480 --> 00:13:22,040
Here, stand up. Here we go.

132
00:13:22,560 --> 00:13:29,460
I will be that boyfriend, okay? And
you're going to tell me your

133
00:13:29,460 --> 00:13:32,660
side of the story and all like that, and
I will listen.

134
00:13:32,940 --> 00:13:35,600
Okay, but I don't think I'm going to be
able to cry right now.

135
00:13:36,100 --> 00:13:39,820
You don't have to cry right now. Just
build it up.

136
00:13:40,660 --> 00:13:41,660
Okay.

137
00:13:41,840 --> 00:13:42,840
I'm listening.

138
00:13:43,880 --> 00:13:44,880
Okay.

139
00:13:45,680 --> 00:13:49,400
Oh, please, please don't leave me. I
don't know what I'm going to be without

140
00:13:49,400 --> 00:13:50,400
you.

141
00:13:52,050 --> 00:13:53,730
Okay, that was pretty good.

142
00:13:54,050 --> 00:13:55,050
Okay. Okay.

143
00:13:55,650 --> 00:14:00,530
Maybe just draw it out just a little
bit, and you're kind of in there, and

144
00:14:00,530 --> 00:14:05,330
just kind of look up at them, and just
quiver the lips just a little bit, like

145
00:14:05,330 --> 00:14:08,330
you're trying to hold something back.
That way you don't have to really cry,

146
00:14:08,330 --> 00:14:12,770
you just kind of sense it. It's, you
know, you're going to improvise it,

147
00:14:12,910 --> 00:14:14,290
Okay. Okay, so let's start again.

148
00:14:14,490 --> 00:14:16,170
And I am listening.

149
00:14:17,630 --> 00:14:18,619
Oh, please.

150
00:14:18,620 --> 00:14:21,600
Please don't leave me. I don't know
where I'm going to be without you.

151
00:14:25,380 --> 00:14:26,820
Better. Okay.

152
00:14:27,440 --> 00:14:29,180
I got it. It's pretty good.

153
00:14:29,640 --> 00:14:36,220
All right. One of the things that you
should do, hon, is get a look at them.

154
00:14:36,300 --> 00:14:37,600
Look. Eyes to them.

155
00:14:38,200 --> 00:14:39,400
The eyes tell everything.

156
00:14:39,760 --> 00:14:43,940
Okay? So do it one more time. When you
go, please, please, please, don't leave

157
00:14:43,940 --> 00:14:45,720
me. Look them right in the eye. Okay?

158
00:14:46,560 --> 00:14:47,560
And...

159
00:14:47,690 --> 00:14:48,690
I'm listening.

160
00:14:52,330 --> 00:14:53,370
Oh, please.

161
00:14:53,970 --> 00:14:57,750
Please, please, please don't leave me. I
don't know what I'm going to be without

162
00:14:57,750 --> 00:14:58,750
you.

163
00:15:00,610 --> 00:15:02,830
That's really good, sweetheart.

164
00:15:03,490 --> 00:15:04,490
Okay.

165
00:15:04,990 --> 00:15:09,850
Here, let me... This is what I tell all
the girls in the past. I said, once you

166
00:15:09,850 --> 00:15:16,090
get past the climax, everything after
that is just nothing but rattle -dattle.

167
00:15:16,640 --> 00:15:22,180
okay okay see you're just gonna build it
right up and then it's easy after that

168
00:15:22,180 --> 00:15:29,140
okay so yeah let me help you out a
little bit and let's let's see

169
00:15:29,140 --> 00:15:33,600
how it goes okay so the first thing i'd
like for you to do is

170
00:15:33,600 --> 00:15:39,820
and then we just take it from there okay

171
00:15:48,720 --> 00:15:54,000
This is where it's kind of like the make
-up sex or the break -up sex.

172
00:15:54,280 --> 00:15:55,320
You want to keep me?

173
00:15:56,160 --> 00:15:57,300
You've got to show me.

174
00:15:57,760 --> 00:15:59,380
Okay. Okay? Mm -hmm.

175
00:15:59,760 --> 00:16:00,940
Remember, this is acting.

176
00:16:01,380 --> 00:16:02,380
Yeah.

177
00:16:02,740 --> 00:16:04,540
But it doesn't have to really be acting.

178
00:16:04,820 --> 00:16:06,120
You can really enjoy it.

179
00:16:06,820 --> 00:16:08,080
Okay. Okay?

180
00:16:08,380 --> 00:16:09,380
Mm -hmm.

181
00:16:23,150 --> 00:16:24,870
Just like we rehearsed.

182
00:16:55,700 --> 00:16:59,480
You can do everything and anything to
keep him from leaving.

183
00:17:59,100 --> 00:18:00,620
Let's get you out of here.

184
00:18:15,980 --> 00:18:18,020
That's it, always stay connected.

185
00:19:00,200 --> 00:19:01,200
that you would do, yeah.

186
00:19:54,300 --> 00:19:59,340
This is the point where he says, I don't
want to fuck you.

187
00:20:00,580 --> 00:20:01,640
Okay? Okay.

188
00:20:01,920 --> 00:20:02,920
That's what we're going to do.

189
00:20:03,530 --> 00:20:05,050
Mm -hmm. It's just haptic.

190
00:20:51,410 --> 00:20:54,570
This is the awful part, taking clothes
off.

191
00:28:56,400 --> 00:28:57,400
Put the hand up.

192
00:29:49,880 --> 00:29:51,080
imitates real life.

193
00:31:17,930 --> 00:31:19,330
Look at that little...

194
00:34:18,230 --> 00:34:20,330
Shit. Okay, remember, this is just
acting.

195
00:34:20,909 --> 00:34:27,850
And, uh... I didn't mean to do that
inside you, but... I mean,

196
00:34:27,850 --> 00:34:28,850
it's just for the art.

197
00:34:29,150 --> 00:34:30,150
Okay.

198
00:34:30,989 --> 00:34:31,948
You'll be fine?

199
00:34:31,949 --> 00:34:32,828
Mm -hmm.

200
00:34:32,830 --> 00:34:35,330
It's just... It's running all over the
place.

201
00:34:36,889 --> 00:34:37,889
Oh, okay.

202
00:34:39,330 --> 00:34:40,989
All right. You got it, girl.

203
00:34:41,790 --> 00:34:42,790
Confidence.

